Dialogues between prof. Adéla Matasová and her students 1990 – 2014
The Zone in Motion exhibition examines the work of students that passed through studios headed by Prof. Adéla Matasová from 1990 until the present day at the Academy of Arts, Architecture and Design in Prague, the J. Škvorecký Literary Academy in Prague, the University of West Bohemia in Pilsen, and at the University of Colorado in the USA.
From the end of the 1960s to the 1980s, Adéla Matasová moved about in the grey zone of unofficial Czech art. Her work was distinguished by its monumentality, and what were for its time courageous intermedial overlaps. After 1989, the new political and social climate allowed her to start working at the Academy of Arts, Architecture and Design in Prague (AAAD) as the head of the 3D Design and Alternative Techniques studio, later the Studio of Conceptual and Intermedial Art, which was one of the first fine art studios at AAAD. At the same time, she became the first female professor of fine art in what at that time was still Czechoslovakia. Her art and teaching activities also contributed to promotion of studios with a conceptual and intermedial focus at various Czech post-secondary schools, and to the growing respect enjoyed by this type of work on the Czech art scene.
Today we virtually do not see the matter-of-fact way in which these studios now function, and the difficulties that accompanied the promotion of an intermedial direction at Czech post-secondary art schools. The Zone in Motion exhibition explores not only of Professor Adéla Matasová’s educational vision but also the transformations that the Czech art scene has undergone over the last three decades.
Adéla Matasová decided to focus the exhibition project on
the development of intermedia and media in general. The exhibition presents
work by her students - by now established artists, as well as the upcoming
young generation of artists that is arriving on the art scene with a generationally
different point of view and above all conceptual and post-conceptual tendencies
and the ability to also utilize new forms in their work in addition to
classical media and materials. Due the exhibition’s concept, many successful
individuals who today work in other specific fields such as set and costume
design, architecture, or computer graphics were not included. The broad scope
of graduates from Prof. Matasová’s studios is illustrated by videos and photos
of other work that could not be included in the exhibition.
A list of exhibiting artists is available on a special web page at http://dox.mo.cz/index-finale.html