Art In Your Pocket: KAFKAesque
9 Feb – 22 Sep 2024
Education without limits, a programme with a beginning and an end
Who is it for? For the general public | high school students (a suitable supplement for Art, Social Studies/Social Science Basics, Czech and History)
How long is it? 120 min
How much does it cost for a school group? 200 CZK/person for groups of 10 to 25 people | accompanying teacher free
How much for any other group? 350 CZK/person for groups of 10 or more
When and how to order? Ideally the programme should be ordered at least 2 weeks in advance, to pre-book the programme please fill in the booking form.
Cancellation? At least one workday in advance, otherwise a cancellation fee of CZK 500 applies
Reservations and other information: skoly@dox.cz or 295 568 104 |
DOX Centre for Contemporary Art
Poupětova 1, Prague 7
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Educational programme from the permanent offer of ROLE (IN) ART for the exhibition KAFKAesque
role “viewer”
What all is hidden under the term contemporary art and what paths does art show us? What is a work of art and how to recognize it? And where is the boundary between the work and its creator? And where is the boundary between the work of art and the participating viewer? And does the story of the work itself or the life story of the author play a bigger role?
In this programme, the conviction that the viewer is a co-creator of the work creates the main premise for an exciting investigation: the search for artworks versus everyday objects in the gallery space. During the interactive tour of the current exhibition and during the art workshop, participants are encouraged to actively express themselves. And various clues lead to the realization that everyone can “have art in their pocket” and that art can be created from the contents of one’s own pockets.
Keep exploring
Storybox: Everything Like at the Dawn of the World
How much does narrative need illustration and image need a story? At DOX, we believe that a gallery like this, and the exhibition within it, is like a big box full of stories and all you have to do is choose. The programme draws inspirational material from Kamila Ženata's exhibition of abstract paintings Everything Like at the Dawn of the World.
DJ Curator: KAFKAesque
The programme for the KAFKAesque exhibition introduces students and pupils to the role of the curator in contemporary art. In a broader sense, it shows the curator as an essential figure in any information production.
Art In Your Pocket: KAFKAesque
What is hidden under the term contemporary art and what paths does art show us? What is a work of art and how to recognize it? And where is the boundary between the work and its author? Educational programme from the permanent offer ROLE (IN) ART for the KAFKAesque exhibition.
From a Different Page: KAFKAesque
Since the invention of writing, text and image have been among the most important means of conveying information and extending memory. Before the internet, the most common medium for this memory was the book. Experience an educational program using Narrative 4 methodologies and KAFKAesque exhibition imagery.
Sticking Your Neck Out: KAFKAesque
Programme for the KAFKAesque exhibition and the role of the artist. What is the role of courage and the ability to follow one's own path in any kind of creation? What about us? What fascinates us? What are our problems, what troubles us and what do we want and can we do about it?
#Datamaze: Fake it!
The Internet and especially social networks make active use of the phenomenon of popularity. The more likes, followers, tweets, posts, blogs, photos… the greater trust people place a virtual identity.
#Datamaze: The Magic of Design
Design is all around us - in both the natural and human world. It's an excellent helper, but can also easily become a means of seduction and deception. In the digital world, design defines how we interact with the virtual universe behind the monitor.
Space for Manipulation
Every place, every building affects us. The fact that often we aren’t even aware of it is another issue. How do we perceive the building we’re in right now? Once upon a time it was an old, abandoned factory, now it is an exclusive gallery.
Drop by
Buildings and their narratives are part of our lives, we can face them (standing, sitting, or lying down) in various ways – we define the sense and size of structures. And in a similar way, structures define us.
