Opposing paths 
must meet 
somewhere
 

We're working on future contemporary art for you

Funny Games

The human body as the alpha and omega of the image. The exhibition Funny Games presents the work of the Moldovan painter, the essential figure painter Alexander Tinei. His individual works, both monumental and small formats, are fragments of a magnificent mosaic of human life.


The Pain of Others

How is it possible to mediate unimaginable suffering to those who have not experienced it themselves? The Pain of Others exhibition project aims to reflect on art’s ability to speak of war, violence, and conflict, and, more importantly, on our (in)ability to relate through art to the horrors of war and the pain of those affected by it.


Lost in...

The exhibition will present a cross-section of Vladimír Doležal's work. His painting and drawing work is combined with his experience as a restorer. A deep understanding of the meaning of the figurative image, i.e. the representation of archetypal phenomena of human existence, is decisive for Doležal's art.


Temple Builders

In the exhibition Temple Builders, the Peerless Cooperative of the Holy Nurture (JSD) will present the mainly cult and ritual side of its activities. Mister Miláček, the Young Saint, the cause and reason for the JSD, chaotic of the universe, has not only united the ununitable in unlimited syncretism, but also created countless new churches and religions.


Thin Skin

A performance by established circus acrobat Eliška Brtnická and her hypnotic production Thin Skin at the interface of movement installation and contemporary circus in the spaces of the DOX Centre.



Tmání (Darkening)

What goes on in the head of a young person who is experiencing depression? And is there a way to get out of these states? That's the story behind the autobiographical animated film Darkness, which uses virtual reality to depict authentic experiences.


Is this the end?
No, it's the beginning.
Choose a meaningful gift?
Art.

Today, when more and more people tend to think dangerously alike, art’s capacity to suspend, even for a moment, our habitual ways of seeing may be its greatest value.

What is DOX? 

Why this?
Why not?

Escape reality by a few metres above the ground. 

The story of the Gulliver Airship

Dressed up as a chesterfield sofa.

The story of the DOX+ hall

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